This is an older talk, from 2013, but I loved seeing Karyn’s talk for Creative Mornings that discussed the value of adult play, providing some examples and play/art projects I hadn’t seen before, and especially in the Q&A section providing tips on how to become a play advocate in your 9-5 corporate job.
Check it out here:
Thank you to Creative Mornings for capturing this talk and sharing it publicly for everyone.
I don’t normally promote my husband Rafe Kelley’s work with Evolve Move Play all that much, but this challenge is too good to pass up.
Starting on Arbor Day (but you can really start any time), Rafe is inviting people to climb a tree for 30 days, and tag their friends to climb three trees or donate to the Arbor Day Foundation, or plant a tree! Use the hashtag #treeclimb30 to tag your posts.
Rafe is doing this for many reasons, including…
Promote outdoor physical play and movement,
Foster a love of trees and the outdoors,
Get people playing in their local communities,
Remind people that it’s okay to climb trees, and
To have fun!
This is an international push, bringing in participants from Europe as well, including certified Evolve Move Play (EMP) coach Ben Medder, based just outside of London (UK).
He is also trying to motivate participating with prizes, so stay tuned to his channels for more details:
Adventure play is enjoying a moment. And at the centre of this is The Land, an adventure playground in Wrexham, North Wales. So it is great to see a 14-minute documentary feature on The Land – from US filmmaker Erin Davis – being made freely available online. Click on the image below to watch it.
It was Hanna Rosin’s 2014 Atlantic magazine cover story ‘The Overprotected Kid’ that thrust The Land into the public eye. It also features prominently in the new book Messy by Tim Harford, writer and self-styled ‘undercover economist’ (and front man for one of my favourite BBC Radio 4 shows, More or Less). Harford’s take is revealing:
I promise these guys are not paying me to promote this event. It just sounded cool and I thought I would share with other art, nature, and science lovers.
Electric Sky is an art and tech weekend campathon June 8-11th 2017, bringing together artists, technologists, designers, hackers, makers, and friends to collaboratively engage with the environment in new and exciting ways. Electric Sky is a cross between an artists’ retreat and a hackathon, where you’ll spend several days in the woods, on the river, in our outdoor creativity lab, making stuff with people like you. You may arrive with well-developed ideas and half-finished projects, or you may arrive with no idea what you want to do but are game to jump in on a collaborative project.
This is a community-oriented event, and there’s plenty of space for camping, with lots to do in the area. In addition, we will have workshops appropriate for kids, so they too may experience the joys of creating with technology in the woods.
If you are excited by the idea of creating an individual or collaborative project around our theme the Wondering Woods, we invite you to apply to be a supported participating artist or creative technologist, to receive free tickets and funds to support your project.
They are taking applications for projects until May 1. Hosted in Skykomish in Western Washington. Check out the event page to learn more.
Preface to anyone who has children in a corporate-owned daycare that could be encompassed in the below description: I in no way mean to critique you or your child-rearing decisions, I am criticizing the system that has built up around these behemoth corporations that are more interested in making money rather than caring for kids.
The push for large corporate, academics-based daycare and preschools in the U.S. to monopolize the industry and childhood development practices has gone too far!
My daycare provider this month had to bump up her prices 150% due to new regulations passed by legislators that were pushed through by big daycare corporations; supported with the sole intention of driving smaller in-home daycares like my provider’s out of business.
This kind of “pay to play” legislation is not only unethical, this particular one is supporting a system of large, low-personalization, academics-driven style of daycare that is not only inappropriate for children but downright HARMFUL to their development. Eight-month-olds do not need to be studying the alphabet! They need to be playing blocks with their friends and learning colors and counting through unstructured play time, not forced circle time and flash cards!
It is better for children to have smaller groups of kids to play together, with regular, consistent caretakers that can provide personal touch and unstructured play time.
This kind of system is also a HUGE burden on working parents. This kind of price increase – $100’s of dollars in my daycare’s case – is unmanageable for so many working families, and the high prices of childcare means that it pushes hundreds of thousands of well-educated, highly motivated parents out of the workforce during their prime working years. In-home daycares are also more flexible on hours and more understanding if a parent is 5 minutes late with pick-up.
This is also incredibly anti-small business; my daycare provider is strongly considering retirement after this last batch of legislation and required price increases, not to mention potential loss of revenue due to parents pulling their kids out of her daycare because they can’t afford it. I can only imagine other daycare providers are struggling with the same dilemma.
I support paying higher prices for higher quality child care, but this price increase is purely due to new legislations, fees, and bureaucracy that can be absorbed by larger corporations but not smaller businesses. I support safety and regulations of childcare, but not to the point where businesses are required to feed children only cow or soy milk (yes, that is a rule in Washington State).
If the government is really interested in creating a strong, resilient, competitive workforce, AND/OR is really interested in supporting small businesses, this is NOT the way to do it!
As soon as I figure out which congress person to write to I will do it and share it here! If there is specific regulations you are aware of that are impacting costs or food options, or even play time, please comment and post them below, so when we write our emails, postcards, or angry YouTube video rants we’ll know exactly which regulations to call out as unjust.
In the meantime, please give your daycare provider a hug, no matter who they are, and let them know we care.
This. Is. Awesome! Students are tapping into the playful aspects of science and learning.
This is March Mammal Madness. It’s a competition that has been playing out online and in hundreds of classrooms over the past month. Real animals wage fictional battles, while students use science — a lot of it — to try to predict the winner.March Mammal Madness was created five years ago by Katie Hinde, an evolutionary biologist at Arizona State University, though now, she says, the competition depends on a whole team of volunteer scientists and conservationists: biologists, animal behaviorists, paleoanthropologists, marine biologists.Hinde’s team meets every year for a Selection Sunday of its own. Team members pick the animals that will compete and even decide who will win, though they keep it a secret. That’s because a whole lot of research has to be done.Each scientist is assigned a specific battle, then studies up and writes a battle story based on facts.
“Then the battles are live-tweeted as a dynamic, play-by-play story, much like someone would watch a basketball game,” Hinde says.
Those tweets link to scientific articles, videos, photos, fossil records — whatever the team can use to drop knowledge into the story. That’s why so many teachers, including Michelle Harris, have begun using the brackets in class.
Playing with ideas is the whole point of learning! This is absolutely something I’ve seen PhD’s do sitting around having a pint together, chatting about animal life and death scenarios. It pulls on so many skills – critical thinking, learning and retaining knowledge about science, creativity, telling a story, collaboration, and more, all under the guise of play!
He was not the only one moved by the loss of the tree. Neighbors of the park, visitors, and other movers also expressed their sadness over the loss of the tree.
It seems strange at first of mourning a tree, but this phenomenon of bonding with and becoming fond of a tree, or multiple trees, is very common, and very human. Trees provide humans food, shelter from the elements, landmarks during travel, and safety from (most) animals. But they also provide us a level of consistency and reliability in our world – that tree doesn’t go anywhere – while also marking the changing of the seasons and change over time. It provides enjoyment whether you are climbing the tree or just resting at its base. Being in or near nature, even a single tree, has profound, positive effects on our physical and mental states.
In Melbourne, Australia, a few years ago people started using the park system’s email alert system to express their fondness for some of their favorite trees.
At my daughter’s outdoor preschool the kids have slowly been naming the trees in the park during their daily hikes – grandfather tree, silly tree, spaceship tree, and others. These names help the kids orient where they are in the park, but they also represent a kinship with the tree, a familiarity and reliability that provides consistency and joy for the kids.
When a tree dies or is cut down, we feel its loss and we mourn. It is only human.
Shunpike proudly presents eight new installations in South Lake Union as part of its acclaimed Storefronts program, on display until July 2017. Examining the exchanges between teachers and pupils, the collaboration between artist and nature, the origin of dragons, the installations span from an accumulation of marks, of ribbon miles, and unifying markers.
ARTIST: Amanda Manitach
WORK: Frances Farmer Defends Herself
LOCATION: Harrison Storefronts
In Manitach’s large-scale wallpaper drawings, text melts into vibrating, hallucinatory design sourced from a 1885 French wallpaper sample. The pieces harken to Charlotte Perkins Gilman’s “The Yellow Wallpaper.” In creating them, she invokes a similar physicality to the story’s protagonist, generating drawings up to 30 feet long made with a 0.5 mm mechanical pencil. The pieces are smudged, worn and covered with fingerprints where the artist’s body has been. “Frances Farmer Defends Herself” (graphite on paper, 52 x 360 inches) contains a quote by Seattle-born film…
What does it mean for a city to take child-friendliness seriously? What makes decision makers put real momentum and energy behind the vision of making the urban environment work better for children and young people? What does it take to move beyond fine words, small pilot projects and one-off participation events?
I am very pleased and honoured to announce that, thanks to a travelling fellowship from the Winston Churchill Memorial Trust, I will be visiting a half-a-dozen cities in Northern Europe and Canada to get under the skin of this topic. One key goal is to explore the relevance of child-friendly urban planning to urban policy in the UK.
The fellowship will take in four cities – Freiburg, Antwerp, Rotterdam and Vancouver – that have led the way in putting into practice the maxim of Bogotá mayor Enrique Peñalosa, that the child is an indicator species for cities. With these cities…